Acquired immunity

Virtual instruments are part of the work of almost every modern composer. We can view them in several ways: as a revolution, a necessary evil, a status symbol, and sometimes even as an (expensive) addiction. Be that as it may, the software is inevitable in any kind of creative work today, but the relationship between its good and bad sides largely depends on each situation.

Since I am not a classicist or traditionalist, virtual instruments are for me primarily a logical choice of method, but also a quality replacement for many technical and other resources that would be too expensive and unattainable otherwise. Likewise, they erase certain boundaries that once existed. The most obvious example is virtual orchestration. In the past, the possibility of creating orchestral music was reserved mainly for those with formal education, for whom composing music by writing it down is a completely natural thing. For others (myself included), there has to be a connection between composition and performance, which is made possible precisely by technology.

Furthermore, virtual instruments are also a common replacement for real ones. Despite their frequently high price, virtual instruments are still generally cheaper than their counterparts, more widely available, and sometimes even more reliable and easier to maintain. Purists will probably always say “no”, but the sophistication of modern virtual instruments is at such a high level, that there is often no huge difference in sound quality as well as between the performance capabilities and possible level of expression, in comparison to the real thing.

Because of all the mentioned benefits, I’ve invested quite a bit of money in buying virtual instruments over the past few years. Lately, however, I’ve slowed down significantly. There are several reasons: from limited funds, the increase in quality free titles, having too many choices, to the neglect of some tangible things in the process. Of course, that doesn't mean that I'm not looking forward to purchasing a few new releases in the future, but I don't have that former "compulson" and feeling that I'm missing a never-repeating opportunity if I resist some mega discount that appears. Also, I’m no longer musing about how I might need something in the future, which automatically makes it a “good investment”.

Virtual instruments have undoubtedly become a big and successful business these days, and all the rules concerning aggressive and tedious marketing apply. It is often difficult to remain completely indifferent to those, regardless if you do or don’t have enough money to spend. The effect can go in both directions.

Honestly, I’m glad I came to this feeling of saturation, especially since I have yet to adequately charge for my creative work. Once that happens, I will certainly find it much easier to support the work of others, especially those who are in an incomparably more favorable position. ;)